This vintage saxophone is a one of a kind instrument from 1956. It was made in France by Selmer Paris. It represents the golden era of Selmer Paris craftsmanship, produced during the first years of the model’s introduction . Instruments from this early production period often referred to as “five-digit” Mark VIs are especially prized for their unparalleled tone, precision, and build quality.
Design & Build:
The 1956 Mark VI has a slightly smaller bore than earlier Selmer Super Balanced Action models, producing a more focused and centered tone while maintaining rich overtones. The engraving is beautifully detailed — typically featuring Selmer’s floral motif with “Henri Selmer Paris” and “Made in France” on the bell.
Key layout is compact and responsive, with smoother key geometry that set a new standard for playability. The octave mechanism and pinky cluster, in particular, were major ergonomic improvements.
Sound & Playability:
The sound of an early Mark VI alto is warm, resonant, and incredibly flexible — capable of both lyrical subtleties and powerful projection. It responds beautifully to embouchure and air adjustments, making it beloved by jazz legends such as Cannonball Adderley and Phil Woods.
The 1956 version tends to have:
-
A slightly darker, more complex timbre** than later Mark VIs
-
Quick, even response across all registers
-
Strong intonation with a centered core
Historical Significance:
The 1956 Selmer Mark VI stands as a pivotal point in saxophone history — bridging the lush tone of prewar instruments with the agility of modern designs. Early Mark VIs are highly collectible and often regarded as the “holy grail” for alto saxophonists.
This instrument comes with a hard case made by Bam and one year garantee on the adjustments.
This vintage saxophone is a one of a kind instrument from 1956. It was made in France by Selmer Paris. It represents the golden era of Selmer Paris craftsmanship, produced during the first years of the model’s introduction . Instruments from this early production period often referred to as “five-digit” Mark VIs are especially prized for their unparalleled tone, precision, and build quality.
Design & Build:
The 1956 Mark VI has a slightly smaller bore than earlier Selmer Super Balanced Action models, producing a more focused and centered tone while maintaining rich overtones. The engraving is beautifully detailed — typically featuring Selmer’s floral motif with “Henri Selmer Paris” and “Made in France” on the bell.
Key layout is compact and responsive, with smoother key geometry that set a new standard for playability. The octave mechanism and pinky cluster, in particular, were major ergonomic improvements.
Sound & Playability:
The sound of an early Mark VI alto is warm, resonant, and incredibly flexible — capable of both lyrical subtleties and powerful projection. It responds beautifully to embouchure and air adjustments, making it beloved by jazz legends such as Cannonball Adderley and Phil Woods.
The 1956 version tends to have:
-
A slightly darker, more complex timbre** than later Mark VIs
-
Quick, even response across all registers
-
Strong intonation with a centered core
Historical Significance:
The 1956 Selmer Mark VI stands as a pivotal point in saxophone history — bridging the lush tone of prewar instruments with the agility of modern designs. Early Mark VIs are highly collectible and often regarded as the “holy grail” for alto saxophonists.
This instrument comes with a hard case made by Bam and one year garantee on the adjustments.