The philosophy of the Supplemental Studies, to which James Stamp agreed many years ago, was to fill in some of the blank pages of his legacy, to wit: to show his advanced scale exercises and some of his pedagogical “roots.”
One cannot do this without mentioning Max Schlossberg (1873-1936), whom many consider to be the father of the American school of trumpet playing, and who had a great influence on James Stamp’s work.
James Stamp was a student of professor Schlossberg, and he used, especially during his formative years as a teacher, some of Schlossberg’s original unpublished materials in his work.
This book is a supplement to the original James Stamp Warm-Ups and Studies, and all of James Stamp’s concepts and instructions presented in the original volume should apply to these studies as if they were included in this book.
Accompaniments available on SoundCloud
The philosophy of the Supplemental Studies, to which James Stamp agreed many years ago, was to fill in some of the blank pages of his legacy, to wit: to show his advanced scale exercises and some of his pedagogical “roots.”
One cannot do this without mentioning Max Schlossberg (1873-1936), whom many consider to be the father of the American school of trumpet playing, and who had a great influence on James Stamp’s work.
James Stamp was a student of professor Schlossberg, and he used, especially during his formative years as a teacher, some of Schlossberg’s original unpublished materials in his work.
This book is a supplement to the original James Stamp Warm-Ups and Studies, and all of James Stamp’s concepts and instructions presented in the original volume should apply to these studies as if they were included in this book.
Accompaniments available on SoundCloud